An indoor studio photograph showing Cody Meacham at CLTV studio in Tampa, Florida on Sept. 24, 2026. Standing indoors in a medium shot, Cody Meacham smiles directly at the camera while wearing a septum ring, short blonde hair, and a black t-shirt while holding open a large bound print volume of Creative Loafing Tampa Bay. The open issue displays a full-page feature story titled "SCAREMASTER" with a portrait illustration on the right page and an event advertisement for "Crafts & Drafts" on the left page, set against dark studio wall paneling, studio lighting equipment, and indoor potted greenery.
Cody Meacham at CLTV studio in Tampa, Florida on Sept. 24, 2026. Credit: Ray Roa / Creative Loafing Tampa Bay

A dozen years ago, Cody Meacham appeared on the cover of Creative Loafing Tampa Bay to preview the immersive haunted experience he built out at his parents’ house on 19th St. N in St. Petersburg.

The 38-year-old artist with experience at attractions like Halloween Horror Nights has a new playground this time. For “Relics & Lore,” Meacham takes over 1,000 square feet of FloridaRama (stylized “FloridaRAMA”) and turns it into what a press release describes as “a Victorian Gothic world filled with atmospheric effects, intricate visual storytelling, paranormal lore and unexpected discoveries.”

In a new CLTV episode, Meacham said that his new show, rated PG-13, won’t include jump scares.

“I kind of wanted to take this opportunity to design something where weirdos like me who love being in creepy places can just kind of vibe,” he said. “We want you to be able to explore and uncover the relics and lore of the environment that you’re in, and just enjoy, but be spooked out at the same time.”

Tickets to experience Relics & Lore: A Radley Experience at FloridaRama in St. Petersburg Thursday through Monday, Oct. 3–Nov. 2 are still available and start at $22.

Read his 2016 intro letter and disclosures from 2022 and 2021. Ray Roa started freelancing for Creative Loafing Tampa in January 2011 and was hired as music editor in August 2016. He became Editor-In-Chief...