With remarkable rapidity, Davis has made freeFall Theatre into a jewel of a venue, a place where incisive straight plays and potently re-imagined musicals (this season’s Cabaret) are consistently offered on the highest levels of theatrical art. In Davis’ capable hands, first-rate Shakespeare has again become an annual event (The Comedy of Errors) and he’s shown an openness to local playwrights (Rip.Tied.) and a fine instinct for contemporary triumphs (Becky Shaw). He deserves our thanks.
