Upcoming Releases
HAPPY FEET (PG) Cashing in a craze that crystallized with those scene-stealing undercover birds in Madagscar and that officially reached epic proportions in March of the Penguins, this latest entry in the world of kiddie animation features more singing, dancing penguins than even the more dedicated penguinophile may be prepared to handle. Music is supplied by an eclectic line-up including k.d. lang, Prince and Pink, and this might be as good a time as any to mention that the whole project comes with the obligatory "Featuring the voice of Robin Williams" warning. Also features the voices of Elijah Wood, Hugh Jackman, Nicole Kidman, Brittany Murphy and Hugo Weaving. Opens Nov. 17 at local theaters. (Not Reviewed)
SHUT UP AND SING (R) The Dixie Chicks, Texas musicians with sweet voices and passionate political beliefs, are probably best known at this point for publicly confessing (at the height of the Iraq War, and on foreign soil, no less) to being "ashamed" of the current U.S. president — a remark that serves as the pivotal event in Barbara Kopple's new documentary. Shut Up and Sing is a well-meaning but ultimately unrevealing examination of the shitstorm that ensued, flipping back and forth between the initial controversy in 2003 and then examining the Chicks' lives two years after the fall, as they attempt to resurrect their careers after alienating a large portion of their conservative, country-music-loving base. There are lots of pointless detours here (scenes detailing the singers' difficulties getting pregnant and feuds with fellow musician Toby Keith seem like padding) — and, when you come right down to it, the film's three primary subjects just aren't all that interesting, either as personalities or as thinkers (two are sweet but pretty much faceless, one is simply strident). But if you're a fan of the music, obviously none of this will matter. Stars Natalie Maines, Emily Robison and Martie McGuire. Opens Nov. 17 at local theaters. 2.5 stars
RECENT RELEASES
BABEL (R) Many tongues are spoken and many stories interwoven in Alejandro Gonzales Innaritu's Babel, but, like those blind men feeling up the elephant, each of the movie's characters has only the foggiest notion of the big picture of which they're a part. Babel continues the patented blend of interlocking narratives and scrambled time frames that Innaritu and screenwriting partner Guillermo Arriaga dished out in Amores Perros and 21 Grams, a method that links its characters' lives by a series of coincidences rendered cosmic in the unbearable randomness of being. In Babel's version of chaos theory, a butterfly flaps its wings somewhere and a Japanese businessman on vacation gives his hunting rifle to a Moroccan guide, eventually resulting in the guide's youngster accidentally putting a bullet in Brad Pitt's wife (Cate Blanchette). This in turn causes Pitt's and Blanchette's housekeeper, on the other side of the world, to risk missing her son's wedding unless she brings the couple's kids with her to Mexico, where beautiful and dangerous things await. And so on and so on. There are some painfully potent moments here, but the filmmakers' grasp sometimes exceeds their reach; simply put, we too often feel the movie straining to supply the connections necessary for making sense of the chaos. Still, Babel is bound and determined to pull off its cosmic hat trick and, even with all the metaphysical doodling and contrived rearranging of structure, the film gives us slabs of emotion that ring raw and true, with an English Patient-esque mix of ingenious editing, seductive cinematography and solid performances that goes a long way toward winning us over. Also stars Gael Garcia Bernal, Koji Yakusho, Adriana Barraza, Rinko Kikuchi and Elle Fanning. 3.5 stars
BORAT (R) A subversive mockumentary after the style of Christopher Guest (but pound-for-pound funnier), Borat is a road trip across America in which many of the key players appear bizarrely unaware that they're participants in a massive hoax. Our guide is British comedian Sacha Baron Cohen, adopting the persona of clueless Kazakh journalist Borat Sagdivev (a recurring character from his Da Ali G Show), who travels coast to coast in a feces-smeared ice cream truck, ostensibly in an effort to see what makes this country tick. A typical Kazakh (which is to say, Cohen's lampooning of otherness manifested as a "typical" Kazakh), Borat is a sweetly contemptible, hygienically-challenged moron, a product of a decimated, inbred environment with a rabid fear of Jews, independent women, homosexuals and virtually anything else that moves. Borat plays into just about every conceivable stereotype, and half the fun of the movie is watching the reactions of the people he encounters, many of them presumably ignorant of the fact that he's an actor playing a part. Some of these people react to Borat's wildly inappropriate words and deeds in stunned revulsion, others with disturbing affection, but either way the way the results are as spontaneous as they are hilarious. Also stars Ken Davitian, Pamela Anderson, Pat Haggerty and Alan Keyes. 4.5 stars
BOYNTON BEACH CLUB (NR) Bittersweet comedy about a group of wacky senior citizens in a South Florida retirement community imperfectly coping with the loss of loved ones. Susan Seidelman directs, a long ways down the road from Desperately Seeking Susan. Stars Dyan Cannon, Brenda Vaccaro, Sally Kellerman and Joseph Bologna. (Not Reviewed)
CATCH A FIRE (PG-13) Director Phillip Noyce's latest political thriller, set against a backdrop of South African apartheid, revolves around an everyman who sees the light and becomes active in the resistance. Stars Tim Robbins, Derek Luke and Bonnie Henna. (Not Reviewed)
EMPLOYEE OF THE MONTH (PG-13) A slacker (Dane Cook) barely working at a Wal-Mart-like megastore has the hots for the cute new employee who looks a lot like Jessica Simpson (Jessica Simpson). The catch is that he's been told she'll only date guys who win the store's coveted "Employee of the Month" award, causing radical changes in slacker-boy's behavior. Also stars Andy Dick, Dax Shepard and Efren Ramirez. (Not Reviewed)
FLAGS OF OUR FATHERS (R) As in Unforgiven and other key Clint Eastwood films, Flags of our Fathers is about mythmaking and heroes who are not really heroes. There will be those who hail Flags of our Fathers as Eastwood's most "important" movie for addressing this favorite subject in such an epic and obvious way, but it is for exactly those same reasons that the director's new film feels so turgid. The movie's main characters are the three surviving soldiers from the famous photograph of the flag-raising at Iwo Jima (Ryan Phillippe, Jesse Bradford and Adam Beach), recruited for a nationwide publicity campaign to beef up the war effort. Unfortunately, the circumstances surrounding that photograph are considerably fuzzier and less heroic than they seem, and the three soldiers spend most of the movie trying to keep it together while selling an illusion to the public. For 132 rather long minutes, Eastwood and screenwriter Paul Haggis (master of the ham-fist from Crash) lurch back and forth between scenes showing us the chaos and cruelty of war and scenes showing us how that same war is packaged and sold, sanitized into something curiously bloodless. The battle scenes are plenty graphic but the storytelling sputters and sprawls so badly that it's hard to get emotionally involved. The movie's rhythm is all fits and starts, with several characters appearing out of thin air to briefly take center stage (particularly in the last act) and others so sketchily developed that there's an awful lot of agonizing going on here about people we barely know. The production (by Spielberg) screams class and the material begs to be taken seriously, but Eastwood makes his points in the film's first 15 minutes and then essentially just repeats himself. Also stars Barry Pepper, Paul Walker, Jamie Bell and John Benjamin Hickey. 2.5 stars
FLUSHED AWAY (PG) The latest project from those ever-reliable genius types at Aardman Studios (Wallace and Gromit, Chicken Run) is the animated tale of two mice — posh urban rodent Rodney (voiced by Hugh Jackman) and his scruffy female counterpart Rita (Kate Winslet) — sharing an amazing adventure in London. More accurately, the movie situates itself in a miniaturized clone of London located in the sewers below the real city, and populated by a wonderfully eccentric menagerie of mice, frogs and slugs of indeterminate origin (the later being the movie's biggest scene stealers who break out in song at the most bizarre moments). The Anglo-centric humor may occasionally drift over the heads of younger viewers (there's wordplay here on distinctly British patter such as "diverting" and "smashing," and at one point a cockroach can be seen reading Kafka), but the movie is basically good, silly fun for everyone. The characters all have personality to spare, elements of slapstick, adventure and romance are expertly fused and paced, and the classy CGI animation skillfully emulates the charming stop-motion style for which Aardman is so well known. Also featuring the voices of Ian McKellen, Jean Reno, Bill Nighy and Andy Serkis. 3.5 stars
A GOOD YEAR (PG-13) It's nice to see the Gladiator dream team of Russell Crowe and Ridley Scott trying something different — and the breezy romantic comedy of A Good Year is certainly a change from the elaborately produced seriousness we expect from this pair. But while we welcome Crowe and Scott letting their hair down to toss off some silly, throwaway moments, A Good Year often appears to be nothing but throwaway moments. Based on Peter Mayle's book, this uninspired retread of A Year in Tuscany stars Crowe as icy stock trader Max Skinner, a self-described "famously callous" type who flees dreary London for the vineyard he's just inherited in Southern France. Provence turns out to be charming beyond words, of course, the residents are lovably eccentric, and romance quickly rears its head in the form of a comely local restaurateur, as Scott charts Max's predictable transformation from soulless bastard to sensitive bon vivant. The problem here isn't so much that the movie is all complete fluff; it's that Crowe and Scott just don't seem comfortable working in this vein. The goal may well have been to channel the great French humorist Jacques Tati (there's even a cute little dog here by that name), but the comedy on display generally amounts to a fairly vapid mix of sexual innuendo and awkward slapstick. Crowe wears large glasses, falls in swimming pools, and drives around in a funny little yellow car (to the strains of French pop songs and vintage Nilsson), and we can literally see him and Scott straining to drum up the requisite amount of fun. Also stars Albert Finney, Marion Cotillard, Abbie Cornish, Didier Bourdon, Tom Hollander and Freddie Highmore. 2.5 stars
HARSH TIMES (R) Christian Bale, firmly re-entrenched in American Psycho territory, sheds his Bat-wings to assume the role of a messed-up wannabe cop playing both sides of the law on his way to oblivion. Writer-director David Ayer reprises many of the key elements of his earlier Training Day as the film follows Bale and his somewhat less dysfunctional sidekick Freddy Rodriguez (Six Feet Under) in a step-by-step day-in-the-life, observing them as they drive around South Central drinking, drugging, picking fights and spiraling from bad to worse. Violence erupts periodically in obscene bursts and bad behavior abounds but, Bale's terrific performance aside, the movie seems a little too fond of merely wallowing in its characters' obvious pain and rarely gets beyond that. At times, it's almost as if we're watching a slicker, less complicated spin on Harvey Keitel's self-destructive journey in Bad Lieutenant or even De Niro's inner city road trip in Taxi Driver. Much like Training Day before it, Harsh Times tinkers in interesting ways with the basic building blocks of your typical testosterone epic, but the film's awkward juggling of art and sensationalism basically just moves in one direction, which is down. Also stars Eva Longoria, Tammy Trull and Terry Crews. 3 stars
HOUSE OF SAND (R) Told over a span of nearly six decades, this curiously dreamlike, unabashedly poetic import obliquely chronicles the survival strategies of three generations of mothers and daughters navigating the hostile deserts of Northern Brazil. Real life mother and daughter Fernanda Montenegro and Fernanda Torres assume those roles on screen and then trade those positions back and forth as the film progresses across the years, positing an oddly mesmerizing meditation on aging, the relationship between humankind and nature, and the cycles of life. Inspired by the legendary arthouse classic Woman in the Dunes, House of Sand tackles some monumental, enormously complex themes in a manner that is starkly minimalist and often nearly wordless. The film is long and very slow and sometimes seems to flirt with pretentiousness, but director Andrucha Waddington also supplies us with a steady stream of passages of terrifying beauty. This is tough stuff, by which I mean to say it's the sort of uncompromised artistic vision that's all too rarely seen on screen these days. Also stars Ray Guerra, Seu Jorge and Luiz Melodia. Call theater to confirm. 4 stars
THE ILLUSIONIST (R) Eisenheim (Edward Norton) is a master magician in 19th century Vienna, summoning ghosts from mirrors and commanding orange trees to grow from seeds in seconds. Exploiting the power of art and of the supernatural, the charismatic Eisenheim's cosmic parlor tricks soon gain him a rabid following among the local hoi polloi — putting the magician on a direct collision course with their sadistic, egomaniacal ruler, Crown Prince Leopold (Rufus Sewell). There's also a beautiful woman (Jessica Biel) in the mix, natch, desired by both men, and so making this royal pissing match all the more personal and vicious. For most of its running time, The Illusionist has the good sense to keep its mysteries exactly as they should be: mysterious. It's a handsomely crafted, pleasant enough diversion, but the film nearly squanders its accumulated good will in a cheap-shot ending that attempts to "surprise" us by tying up every loose end in an elaborate M. Night Shyamalan meets The Usual Suspects bow. Also stars Paul Giamatti. 3 stars
INFAMOUS (R) Douglas McGrath's Infamous — which chronicles the same period in the life of Truman Capote as the one depicted previously in the significantly better Capote — winds up almost completely swallowed by the shadow of its predecessor. McGrath's film navigates pretty much the same bases as the ones covered in Capote — Truman (Toby Jones, nailing Truman's distinctive mannerisms and whiny lisp in a performance/impersonation that exists almost entirely on the surface) travels to Kansas, where his interviews with a pair of killers ultimately put him way too close to his subject — but with a considerably broader, more theatrical style that doesn't particularly suit the story being told. Capote masterfully explored the moral, aesthetic and psychological complications of a writer's possible exploitation of his subject; Infamous seems more interested in the cute sparks resulting from the odd and quintessentially urbane Capote's interaction with the local hicks. As if semiconscious of its own failings, Infamous overcompensates during its second half with some bizarrely bombastic monologues and, most audaciously, a bona fide love connection between Capote and one of the killers (a badly miscast Daniel Craig), but the movie remains a bauble that desperately wants to be taken seriously. And as Truman himself knew all too well, desperation is never very pretty to look at. Also stars Sandra Bullock, Jeff Daniels, Gwyneth Paltrow, Hope Davis, Peter Bogdanovich, Sigourney Weaver and Isabella Rossellini. 2.5 stars
JACKASS: NUMBER 2 (R) More painful, senseless self-mutilation, crude, public displays of base humiliation, spewing and splattering of bodily fluids and other signposts of the impending demise of Western Civilization. That's entertainment, and it's all in a day's work for our hosts, Johnny Knoxville, Bam Margera and Steve-O. (Not Reviewed)
JET LI'S FEARLESS (PG-13) Directed by Ronny Yu (Bride with White Hair) and choreographed by Yuen Wo Ping (The Matrix, Kill Bill), this Jet Li martial arts vehicle (reportedly his last) arrives with some fairly serious credentials. The film, which has already set box office records in Asia, features Li as a legendary kung fu fighter in turn-of-the-century China. Also stars Masato Harada, Shido Nakamura and Anthony De Longis. (Not Reviewed)
LITTLE MISS SUNSHINE (R) The current darling of the Sundance crowd and the feel-good bummer of the summer, Little Miss Sunshine is all about gawking at the geeks. The family members in this bittersweet comedy are all hugely dysfunctional and the movie turns them into such ridiculous figures of fun that it often feels condescending, but Little Miss Sunshine is ultimately much more interested in being endearing than offensive. Or, heaven forbid, edgy. Everything here is fair game for comedy (the more embarrassing the better), but husband and wife co-directors Jonathan Dayton and Valerie Faris diligently avoid letting comic exaggeration slide into cruelty, supplying a comforting squeeze of the hand of a full-blown group hug whenever possible, so that we walk away from even the most potentially unpleasant scenes feeling uplifted rather than dirty. The result is a movie that, although often very amusing, also feels more than a little forced as it struggles to balance its quirkiness with the big, fat heart it wears so proudly on its sleeve. The excellent ensemble cast includes Greg Kinnear, Toni Collette, Steve Carell, Paul Dano, Abigail Breslin and Alan Arkin. 3 stars
OPEN SEASON (PG) On the heels of Madagascar and The Wild, here's yet another kid-friendly take on the whacky high jinx ensuing when city-bred beasties get thrust into the great outdoors. Martin Lawrence lends his voice to the character of Boog, an overly domesticated grizzly bear who finds it tough going when his owner leaves him to fend for himself in the great outdoors. Lack of creature comforts and an abundance of annoying fellow animals are bad enough (nut-wielding squirrels with Scottish accents, skunks and beavers with attitudes, a needy deer voiced by Aston Kutcher), but the worst threat of all is gun-toting humankind, natch, providing the movie with its obligatory message. The humor here encompasses a familiar mix of the heartwarming, slapstick and poop jokes, and the animation looks much like every other CGI kiddie flick you've seen over the past few years (not a bad thing, but not exactly good, either), but the movie's no better or worse than most of its recent inspirations. If you can get past the disturbing concept of a buddy movie starring four-legged versions of Lawrence and Kutcher, you may even have find yourself having a fairly good time. Also featuring the voices of Debra Mesing, Gary Sinise and Billy Connolly. 3 stars
THE PRESTIGE (PG-13) The story sounds a bit dopey but with credentials like these, who cares? Christopher Nolan (Memento, Batman Begins) directs Christian Bale and Hugh Jackman as rival magicians engaged in a battle to see who's top dog in turn-of-the-century London. Also stars Michael Caine, Scarlett Johansson and David Bowie. (Not Reviewed)
RUNNING WITH SCISSORS (R) Based on Augusten Burroughs' bestselling autobiography, Running with Scissors is the story of a kid growing up weird and aimless in the weird and aimless '70s. Everyone in the movie is basically just a grotesque cartoon, from the main character's self-destructive monster of a mother (Annette Bening as a self-medicating, would-be poet spewing out bad, Sylvia Plath knock-offs) to a menagerie of stridently dysfunctional family members that make the Royal Tenenbaums look like the Cleavers. To its credit, Running with Scissors attempts something fairly difficult, segueing between comic surrealism and painful psychodrama, but director Ryan Murphy (making his feature debut after a highly successful run on TV's Nip/Tuck) doesn't seem to have the firmest grip on his materials. The movie's mood swings feel almost arbitrary, the pitch is nearly always hysterical (which rarely translates as funny), and the writing simply isn't sharp or focused enough to supply the characters with the interior lives they so desperately need. Ultimately, we don't really care very much about anyone on the screen, as Running with Scissors veers from bleakest tragedy to oddball comedy, with the volume set permanently on high and only the most cursory attention to flow. Also stars Brian Cox, Joseph Cross, Alec Baldwin, Evan Rachel Wood, Jill Clayburgh, Joseph Fiennes, Gwyneth Paltrow and Gabrielle Union. 1.5 stars
SAW 3 (R) More slicing, more dicing, more Rube Goldberg-esque contraptions ostensibly designed to assure those closet sadists amongst us (and let him who is without sin cast the first stone) that torture can be "interesting." You were expecting Shakespeare, maybe? Stars Angus MacFadyen, Shawnee Smith, Tobin Bell and Dian Meyer. (Not Reviewed)
TEXAS CHAINSAW MASSACRE: THE BEGINNING (R) The buzz was apparently getting so bad on this "prequel" to the Texas Chainsaw horror franchise that all advance screenings simply came to a halt — which means we didn't get to see it. As is often the case in situations like this, that's probably a blessing in disguise. Stars Jordana Brewster, Taylor Handley, Cyia Batten, Diora Baird and Matthew Bomer. (Not Reviewed)
TIM BURTON'S THE NIGHTMARE BEFORE CHRISTMAS (PG) Tim Burton's masterpiece of neo-gothic animation (which was actually directed not by Burton but by visionary-for-hire Henry Selick) just keeps getting better and better. The good folks at Disney, never ones to shy away from cashing in on a good thing, have tweaked the film's brilliant digital visuals into a "new" version making use of a new 3D technology that only a few local theaters are currently capable of projecting. That means you may have travel a bit to see this puppy, but, believe me, it's worth it. This might just be the ultimate Halloween classic. Featuring the voices of Danny Elfman, Chris Sarandon, Catherine O'Hara, William Hickey and Paul Reubens. 4.5 stars