Capsule reviews of recently released movies

Share on Nextdoor

Page 3 of 4

PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST (PG-13) Most of the elements that turned the original Pirates of the Caribbean into a surprise hit are in place here, retooled in a more lavish, frenetic Indiana Jones-ish manner that invites us to slam-gaze through an array of exotic locations, head-hunting cannibals, voodoo priestesses, swordfights, bad teeth, brawls, lots of swashbuckling pirates and, of course, zombies, zombies, zombies. This sequel achieves an admirable fusion of adventure, romance and horror that's similar to but not quite as effortless as the brew cooked up by the first film, with fabulous special effects but a story that comes off less like a crisply shaped narrative and more like an assortment of North by Northwest-inspired wild, wild goose chases in which various friends and foes collide while scurrying after a series of red herrings and holy grails. As with the summer's other recent blockbuster, Superman Returns, Pirates is too long by at least a half-hour and takes its sweet time getting going, but once that final hour kicks in, the movie takes off and doesn't look back. The stunts and battles of Pirates get bigger and better, finally achieving serious forward momentum, and the movie's impact finally catches up with its inflated budget. Stars Johnny Depp, Orlando Bloom, Keira Knightley, Bill Nighy, Stellan Skarsgard, Tom Hollander and Jonathan Price. 3.5 stars

SCOOP (PG-13) Woody Allen's follow-up to his career-revitalizing Match Point once again finds the director eschewing his beloved Manhattan for London, where mystery and murder play out among the city's upper crust. It may all sound like a note-for-note reprise of Match Point but the Woodman is reportedly back in comic mode this time. Stars Scarlet Johansson, Hugh Jackman, Ian McShane and Woody Allen. (Not Reviewed)

SKETCHES OF FRANK GEHRY (NR) With four decades of big commercial features under his belt, director Sydney Pollack (Tootsie, The Way We Were, Out of Africa) chooses his old chum, legendary architect Frank Gehry, as the subject of his first foray into documentary filmmaking. As you might imagine, Sketches of Frank Gehry occasionally verges on a love letter from one old lion to another, but Pollack has the good sense to pepper the doc with a few talking heads who suggest that Gehry may be over-rated, and Gehry himself supplies enough self-doubt to keep things real. The film doesn't dig particularly deep, but Pollack manages to ask a lot of the right questions, cover most of the bases in such a way as to make Gehry understandable to lay viewers, and the imagery of those amazing, fluid buildings, is often simply astonishing. 3.5 stars

STRANGERS WITH CANDY (R) Jerri Blank, the anti-heroine of Comedy Central's Strangers with Candy, was a fortysomething former junkie, sex worker and high-school dropout starting life over where she left off: as a freshman. Alas, the big-screen "origin story" will disappoint the show's admirers and befuddle everyone else. Jerri (co-creator Amy Sedaris) returns home after a lengthy stint in the big house to discover her beloved father (Dan Hedaya) in a coma. When a doctor notices that Jerri's presence makes her dad more responsive, she moves back in and re-enrolls at Flatpoint High, hoping to make her father proud. The TV show's bright, deadpan tone caused viewers to breeze right through its hit-and-miss humor, but on film it proves to be underlit, arbitrary and at times agonizing. Sedaris' oversized mugging and awkward body language seem better suited for kabuki theater than a movie comedy. Stars Amy Sedaris, Stephen Colbert. 2 stars —Curt Holman

SUPERMAN RETURNS (PG-13) What to do with a ridiculously old-fashioned icon in these jaded, post-postmodern times? Why, make him an even more iconic icon, of course. Superman Returns is classy pop art that pushes every heroic anachronism and narrative inconsistency of the Superman mythos to its outer limits, then steps back and dares us to deny it. Taking up pretty much right after 1980's Superman II, Superman Returns meticulously recreates the spirit and particulars of Richard Donner's first two Superman outings, with our hero (a slightly wooden Brandon Routh) back in action after a prolonged absence — only to discover former flame Lois Lane (Kate Bosworth, also wooden) hooked up with another man, and perpetual arch-enemy Lex Luthor (Kevin Spacey, putting a slightly more sinister spin on Gene Hackman's version) waiting in the wings. There's certainly fun to be had here, but Superman Returns takes such a reverential approach to its famous hero that he sometimes seems like an insect in amber, and consequently the film floats as often as it soars (it doesn't help that the pacing of this 2 1/2-hour opus is a bit dodgy, particularly in the beginning). But when the movie does get down to business, all is forgiven, with spectacular special effects sequences and elegant cinematic poetry that lifts Superman Returns several notches above standard popcorn fare. As superhero movies go, Superman Returns isn't quite the success story of Batman Begins (although both films reinvent the wheel by getting back to basics), but it makes a solid case for the continued relevance of Superman and his franchise. Also stars stars Parker Posey, James Marsden, Frank Langella and Eva Marie Saint. 3.5 stars

Scroll to read more Events & Film articles


Join Creative Loafing Tampa Bay Newsletters

Subscribe now to get the latest news delivered right to your inbox.