Our brief but intense romance with Madstone, followed by the bitter disappointment of that theater’s unexpected crash and burn, left us thinking we might never be able to love another art house. But all that’s changed recently, thanks to Sunrise Cinemas, which took over the Hyde Park space that Madstone vacated. Sure, there were some apprehensive moments during those first few months, watching Sunrise trying to figure out how to survive while setting themselves apart from the pack. And yes, some of the theater’s initial programming choices were really pretty lame, an erratically chosen smattering of the forgettable and the pseudo-artsy. But over the past year, Sunrise has successfully managed its own reinvention and created a strong identity for itself, transforming from that-place-that-used-to-be-Madstone to the best venue in the Bay area for seeing good movies that you can’t see anywhere else. On any given week, you’re likely to find at least two or three promising non-mainstream movies showing up at Sunrise (recent offerings have included Murderball, Mysterious Skin and Kontroll), not to mention the numerous community-oriented programs, festivals and themed film series that the theater now hosts on a regular basis. After a bit of a rocky start, Sunrise has become our own Comeback Kid, and we couldn’t be happier. 1609 W. Swann Ave., Tampa, 813-258-4646, www.sunrisecinemas.com. - Lance Goldenberg

Holloway has only recently started his professional career, but in three plays for Stageworks he showed himself to be a hugely talented character actor. His best work was in Lanford Wilson’s Talley’s Folly, where he played Matt Friedman, a courtly, self-deprecating Jewish accountant devoted, in the year 1944, to romancing the overcautious Gentile, Sally Talley. But he was also terrific in Arthur Miller’s All My Sons as mercurial George, oscillating between love and hatred of the Keller family; and in The True History of Coca-Cola in Mexico, where he played everything from a conquistador to an old, tired farmer about to be moved off his land. - Mark E. Leib

American Stage gave Tanner a terrific part a few months ago, and the result was a performance that will linger in the mind for years. Tanner was Catherine in David Auburn’s Proof, a play about the daughter of a famous mathematician, and about her troubled inheritance — of her father’s genius and, perhaps, his madness. Tanner took this complex part and didn’t miss a contradictory detail: She was brilliant, impulsive, angry, sarcastic, subject to depression, worried for her mental health, funny, compassionate, irritable and tender. - Mark E. Leib

Erika Greenberg Schneider’s building in Tampa Heights is her home, printmaking studio, gallery, salon of dance, music, poetry, film, video, theater, haute cuisine etc., etc. Working with serious and cutting-edge artists (to name-drop a few: Elsa Valbuena, Chef Gui, Robyn Voshardt/Sven Humphrey, Neil Bender), she presents cross-disciplinary art events that are always fresh in the intimate setting of a salon (think Gertrude Stein, Picasso, Paris…). Erika has opened her space not only to her international printmaking contacts and USF colleagues and students, but to the entire cultural community of Tampa Bay. Her labor of love has been a gift to local artists, connoisseurs and collectors. Bleu Acier imbues Tampa Bay with a bit of bohemia. 109 W. Columbus Drive, Tampa, 813-272-9746, [email protected]. -Mary Mulhern

These two preservationists have worked tirelessly to prevent the owners of the 100-year-old Henry Plant hotel in Belleair from selling its destruction. Owners Urdang and Associates threaten demolition of the structure, but the reluctant town council is finally hearing the citizens’ requests for a local historic preservation ordinance with teeth. Still trying to save the Biltmore, the two have parted ways over the preservation alternatives they seek. Hein can be reached at www.savethebiltmore.com; Johnson at [email protected]. -Mary Mulhern

Not your garden-variety ecoterrorists, Yard Ops (Young Architects Resisting Destruction of Public Spaces) arrives with brooms, garbage bags and pruning shears to save the landscape. The positive approach of Chris Vela and other young architect colleagues was instrumental in helping the City of Tampa’s parks department to maintain the neglected Dan Kiley-designed park at 400 N. Ashley Drive. Their grassroots effort helped win the mayor’s commitment to protect (some of) this historic masterpiece of landscape architecture. Thompson and Grunke put together a symposium, wrote historic preservation applications, lobbied City Hall, and passionately and persuasively convinced the city and citizens to protect the Dan Kiley design. [email protected]; [email protected]. -Mary Mulhern

Not just a local legend and sentimental favorite, Bud Lee’s important ’60s and ’70s photographs were shown in beautiful new digital prints at the Tampa Museum of Art. The show was curated by Jill Jimenez under Emily Kass’ directorship, before both became casualties of Tampa’s ongoing museum upheaval. Every one of Lee’s photographs — from portraits of rock ’n’ roll icons Janis Joplin and Mick Jagger to Florida’s carnival of weirdness — shines in its uniqueness. The prints are now part of the museum’s permanent collection. 600 N. Ashley Drive, Tampa, 813-274-8130, www.tampagov.net/dept_Museum/. -Mary Mulhern

The Tampa Bay Performing Arts Center continues to be the most important, wide-ranging theater organization in our area, and the irreplaceable Judith Lisi continues to keep the joint a-jumpin’. Some highlights from last season: the operas Madama Butterfly and Aida; the visit of luminous soprano Jessye Norman; Shawn McConneloug’s music/dance/theater piece Stand On Your Man; Leonard Nimoy’s tribute to Van Gogh, Vincent; The Acting Company’s production of Shakespeare’s Two Gentlemen of Verona; Steve Solomon’s comedy My Mother’s Italian, My Father’s Jewish and I’m in Therapy; and the wonderfully funny Broadway musical Hairspray. Add Lisi’s wisdom in providing a home for the increasingly important Jobsite Theater and her sponsorship of the Patel Conservatory, and you’ve got a bunch of reasons to be glad she’s here. -Mark E. Leib

Gallery Director Carrie Mackin and cultural anthropologist Shari Feldman set up a portrait studio at Covivant Gallery in response to the Hillsborough County Commission’s legislated discrimination against gay pride. Friends, neighbors and families of all sexual orientations came for family portraits. Love the red velvet, love the expansiveness of “family” that the word represents. A sweet and simple idea — a family portrait to remind the neanderthals of how civilized people respect each other and live together. 4906 Florida Ave., Tampa, 813-234-0222, www.covivant.com. -Mary Mulhern