On the eve of Michelin Guide results, Florida chefs are split on whether or not it really matters

Michelin will hand out its coveted stars at an invitation-only event on Thursday.

click to enlarge Proper House Group co-counder told Creative Loafing Tampa Bay, 'If we don't get a Michelin star, we are not going to remodel our restaurant. Hire or fire our staff. That's not how we operate.' - Photo by Skyler June Pursifull c/o Proper House Group
Photo by Skyler June Pursifull c/o Proper House Group
Proper House Group co-counder told Creative Loafing Tampa Bay, 'If we don't get a Michelin star, we are not going to remodel our restaurant. Hire or fire our staff. That's not how we operate.'
The Michelin Guide and its star rating system evoke a deep-seated reverence among chefs, restaurateurs and food lovers across the planet. Their respect is aimed at Michelin’s anonymous band of “inspectors,” charged with visiting and objectively rating restaurants from zero to three stars based on five criteria: quality of products; mastery of flavor and cooking techniques; the personality of the chef represented in the dining experience; harmony of the flavors; and consistency between inspectors' visits.

Said inspectors dine at restaurants on Michelin’s dime and have seemingly no conflicts of interest with the restaurants they visit. Never mind that Florida’s tourist boards collectively paid Michelin more than $1.5 million to bring their restaurant inspectors to the Sunshine State, according to the Miami Herald.

What’s more is that Pinellas restaurants were not visited by Michelin inspectors. That's because bringing the guide to Florida was an effort coordinated by Visit Florida, Visit Orlando, Visit Tampa Bay and Greater Miami Convention and Visitors Bureau—with Visit St. Pete Clearwater (VSPC) not included.

"We’re thrilled for the cities that are being featured as part of the launch of the Michelin guide in Florida and welcome the expansion to St. Pete/Clearwater, if that ever becomes available," a spokesperson for VSPC told Creative Loafing Tampa Bay. "Although not part of the original three cities, we feel the concept alone elevates the culinary scene in Florida and brings attention to the high-level of gastronomy offered in the State."
UPDATE: On June 9, Michelin inspectors awarded no stars, and three Bib Gourmands to Tampa restaurants.
Fact is, Michelin stars translate to tourist dollars, and their reach has become increasingly global.

It’s why the guide is gospel for jet-setting gastronauts bent on seeking out finer dining establishments around the world, and why a star can earn a restaurant unprecedented prestige, not to mention an influx of cash.

Does Michelin matter?

But in an era of internet democratization, does the Michelin Guide really matter? Michelin inspectors, after all, aren’t the only arbiters of taste. There are influencers on Instagram, YouTube and TikTok; “experts” who clickity-clack on subReddits, as well as crowdsourced sites like Yelp and TripAdvisor; and more who promote and market restaurants in the food blogosphere.

There are organizations like the James Beard Foundation and the World’s 50 Best Restaurants, dedicated to showcasing the most noteworthy restaurants in the biz, though both have certainly seen their fair share of controversy around inclusion, propping up bad players and Eurocentricity.

Many legacy media outlets, including CL, still task critics with steering people toward good restaurants and away from subpar ones, while newer media outlets like Eater are a go-to source on where to dine in major metropolitan areas.

So, it begs the question: Is the Michelin Guide necessary? Opinions of chefs and food professionals seem to run the gamut.

“We don’t need a guide, especially in the age of social media,” says chef-owner Mark Berdin of Orlando Michelin-star hopeful Kadence. “If you make great food consistently, people will come to your restaurant consistently.”

Joe Yardley, who cooked at Michelin-starred Agern in New York City as chef de cuisine before opening Rebellion Wine Bar in Cocoa last year, feels that if Michelin is going to build a presence in the United States, it’s important they visit Florida. “I think anything that brings awareness and business to restaurants in Florida has to be seen as positive. As far as whether we need the guide, it’s always nice to be recognized, but only places trying to show off or express dominance in the marketplace truly need it.”

“It’s a pay-for-play situation,” says Knife & Spoon’s John Tesar about the taxpayer dollars used to bring the Michelin Guide to Florida. “Our business loves adulation, but there is no truth in food anymore. Only politics, popularity and pandering.” It’s a blunt, if conflicted, declaration by a five-time James Beard Award nominee, who admits he relishes the thought of his restaurant receiving a Michelin star.

When news of the guide coming to Tampa arrived late last year, earning a star wasn’t really on Tampa chef Ferrell Alvarez’s mind. But after months of media appearances and people contacting him every day about it, the Beard semifinalist and co-founder of Rooster & the Till, started to think about it more.

Alvarez will be at the Ritz-Carlton Orlando, Grande Lakes on June 9 when The Michelin Guide hands out its coveted stars to Florida restaurants in an invite-only ceremony.

“It does give you this sense of excitement, which is a positive, although the thought of not obtaining one after you have tasted that excitement is kind of disheartening,” he said. “But unfortunately that's life.”
click to enlarge Rocca's tableside mozzarella. - MELISSA SANTELL
Rocca's tableside mozzarella.
Others, like chef-owner Bryce Bonsack of Michelin contender Rocca in Tampa Heights, welcome the Michelin Guide, saying it’s necessary to legitimize the state’s dining landscape.

“Never before in the history of Florida has there been more anticipation and conversation about our restaurant scene. Modern food journalism has been trending towards less restaurant criticism, or reviews with no stars or ratings given, and I think that trend is generally hurtful to restaurants and chefs. People like to discuss who got what and what they think a restaurant should get, and stars and ratings facilitate that.”

The star system

But there’s a reason why stars and numeric rating systems have quickly faded from restaurant criticism. Stars (still deployed by CL) can offer a generalized snapshot of a restaurant’s worth and value, especially to the attention deprived, but they’re all too often reductive. In CBC News’ “Front Burner” podcast, food writer and former Toronto Star restaurant critic Corey Mintz takes issue with the arbitrary classism of doling out stars.

“There’s never a problem with more people making suggestions of where to eat, that’s always helpful,” says Mintz. “I think it’s the star system and the pressure it puts on people, particularly in the Yelp and social media ‘5-stars-or-it’s-worthless’ era.”

The pressure of maintaining a Michelin star, or the risk of losing one, is believed to be the primary reason why French chef Bernard Loiseau, of 3–Michelin star–rated La Côte d’Or in Burgundy, France, took his own life in 2003, and why Benoît Violier, the French-born chef of Restaurant de l’Hôtel de Ville in Crissier, Switzerland, did the same in 2016.

"Never before in the history of Florida has there been more anticipation and conversation about our restaurant scene."

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Several others have renounced their stars or requested to be omitted from the Michelin Guide, because of the pressure maintaining a star can place on a restaurant’s staff and inner workings. British chef Marco Pierre White went so far as to ban Michelin inspectors from his restaurant in Singapore.

“Eater got rid of its star rating system last year,” says Mintz, “the San Francisco Chronicle did it a couple of years ago, L.A. Times 10 years ago and, particularly during the pandemic, a lot of newspapers that still did a star system suspended it because they recognized restaurants are going through the hardest time ever. So it’s particularly antiquated for Michelin to come along with the star system as if the hospitality world hasn’t been underwater for the last two years.”

“Readers will have to work a little harder to grapple with the text of a review now,” writes Eater’s chief critic, Ryan Sutton, “and that’s a good thing, because they won’t be able to rely on the crutch of a star and all its baggage, ranging from empty authority (that’s you, Michelin) to veiled objectivity to false accessibility. I’ve put a lot of thought into my starred ratings over the years, but I’m certain they were one of the most arbitrary parts of my job. I’m glad I won’t be using them anymore.”

Out of touch?

Since 1926, the Michelin Guide has promoted automotive tourism by bestowing restaurants that warranted a stop with stars. A 1-star restaurant is deemed to have “high quality cooking” and is “worth a stop”; a 2-star has “excellent cooking” and is “worth a detour”; and a 3-star restaurant offers “exceptional cuisine worth a special journey.” Since 1997, “good quality, good value restaurants” were awarded with a Bib Gourmand. These are typically handed out to places where two courses and a glass of wine or dessert costs no more than $40.

In recent years, however, the Michelin Guide has faced increased scrutiny over its judging criteria, in which the focus is placed on food and cooking techniques while issues of equity, race, labor, culture and health go unchecked.

In an op-ed in the Globe & Mail, noted chef and restaurateur Jen Agg was highly critical of Michelin’s star rating system and its role in perpetuating a caustic mindset in restaurants.

“If you were to work in [a restaurant] that tries to win ‘best of’ lists like Michelin, too often you’d find a toxic culture—places where they focus on hospitality and being a ‘house of yes’ to the diners, yet say no to reasonable requests from employees, such as asking that they not be sexually harassed on the job, or wanting to, y’know, be paid for all their hours worked. Of course, Michelin doesn’t pay attention to all that—if they did, a lot of places would be disqualified.”

Alvarez is a hope for the best, prepare for the worst, kind of person who’s long been focused more on the food his restaurants present patrons and the health and wellbeing of his employees, who he admits would get a boost if one of his restaurants earned a star. He thinks Rooster & the Till could get a mention in the guide and would be grateful for the recognition.

“If we don't get a Michelin star, we are not going to remodel our restaurant. Hire or fire our staff. That's not how we operate. We are a very successful restaurant group that is filled with 63 amazing employees that have families, and we take very seriously being able to provide great jobs for them so they can provide for their families—and that will continue on whether we win or not,” Alvarez explained.

“We really truly try to stay humble and focused on what's important. And whether we win or we lose, come Friday, we are still opening at five o'clock for service. We are still doing the best we can do every day, and our ethos and principles will never waver,” he added.

"We are a very successful restaurant group that is filled with 63 amazing employees that have families, and we take very seriously being able to provide great jobs for them so they can provide for their families—and that will continue on whether we win or not."

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“They do not consider labor a part of their adjudication,” says Mintz on the “Front Burner” podcast. “The pandemic and the Great Resignation has been an opportunity for restaurants to rethink how they can operate in a way that values everyone, whereas the Michelin Star Guide is a return to that old-school way of thinking—it’s an elitist system that rewards exactly the kind of behavior that needs to change in the restaurant industry.”

Agg concurs. Chefs are overwhelmingly excited about the Michelin Guide which, she writes, says a lot about the change that hasn’t happened in the industry.

“To hold on so lovingly to something so rooted in old-school kitchen hierarchy and the kinds of restaurants that mete out real punishments for lack of compliance or failure to perform under immense pressure is the microcosm of why change doesn’t happen. This is an awards system that is so tangled up in the lifting-up of white men with access to capital that even when it throws a bone at a street-food restaurant, it feels very much like that: scraps.”

So it’s not surprising that Agg has repeatedly stated that if one of her restaurants were to win a Michelin star, she would return it.

Then there’s the issue of transparency. Michelin is tight-lipped about the financial deals hammered out with governmental bodies, like the one with Florida’s tourist boards. “That hasn't stopped persistent reporters from poking holes in the guide's carefully cultivated image of editorial independence,” writes Eater’s Brenna Houck. “Can the guide continue to maintain its brand reputation when it’s accepting private money and sponsorships?”

And what do we know about the secret cabal of inspectors? How many are there? Are inspectors primarily white men? What’s their racial, gender and cultural makeup? It’s troubling when former Michelin inspectors, like Chris Watson, consider the idea of giving three stars to an Indian, Chinese or Japanese restaurant “radical.”

But supporters of Michelin—like Rocca’s Bonsack—say the guide offers an informed opinion and acts as a sort of catalyst to propel the industry forward. “They’re easily the most respected restaurant guide in the world, and for good reason. The attention Michelin draws will ultimately lead to higher compensation and respect for serious restaurant professionals here, which is wonderful.”

On the “Front Burner” podcast, food writer Nancy Matsumoto says, “There’s this way to think of Michelin and that tier of fine dining as sort of like the equivalent of haute couture. Would I ever buy a dress that costs $5,000? No, but I’m sort of glad it exists, because it creates really top-level artisans.”

Even Berdin concedes that the guide is a gauge of the rarefied heights of gastronomy and, at its best, “maintains and raises the caliber of the restaurants and chefs because it gives those people in the industry a rabbit to chase.”

Should we care?

While newspaper restaurant reviews and their “Best Of” lists may resonate with locals, a Michelin star unquestionably brings international recognition and the power to attract tourists. But should we care?

In an interview the late Anthony Bourdain gave with Maclean’s magazine in 2016, he was asked if a city’s lack of Michelin-starred restaurants equates to a subpar restaurant scene.

“No, no, no, I think you’re doing it right if Michelin hasn’t come,” said Bourdain. “They’re utterly useless, and in no way prepared or capable of evaluating restaurants in a modern setting. How do you award stars? What’s the throughline of spectacular soup dumplings or a little tower of foie gras and truffles? No single organization is competent enough to put it all on the same scale.

"The world they live in now is in no way the world the Michelin system was set up to evaluate back in France, which was all about motorists and seeing if it was worth driving an extra 50 miles for a restaurant. It’s a silly thing. Why do you want to help a tire company? You don’t owe them nothing.”

For a while, it felt like Tampa wore a inferiority complex on its collective sleeves. But recognition from the James Beard Foundation—which first started with its acknowledgement of The Refinery, Elavage, Cigar City and Bern’s, and then restaurants like Rooster & the Till, The Library, Edison, Reading Room and others—started to change that. Tampeños would not be too surprised to see Rooster, Bern’s, Mise en Place, Edison or Rocca earn a star.

Are Ichicoro, King State and Columbia worthy of a Bib Gourmand? Sure they are.

Despite getting skunked in the latest batch of Beard nominations, national attention around Tampa is nothing new at this point.

So do we really need Michelin to tell us what we already know? Or do we so crave international recognition that we would pay a French interloper to pat us on the back and tell us we're worthy?

“You’re not missing anything,” said Bourdain about the Guide and its stars. “Who needs that kind of validation?! I think it’s meaningless. We’ve moved way beyond that.”

Others, perhaps, need to catch up.

This post originally appeared in our sibling publication Orlando Weekly and contains new reporting from Ray Roa.

About The Authors

Ray Roa

Read his 2016 intro letter and disclosures from 2022 and 2021. Ray Roa started freelancing for Creative Loafing Tampa in January 2011 and was hired as music editor in August 2016. He became Editor-In-Chief in August 2019. Past work can be seen at Suburban Apologist, Tampa Bay Times, Consequence of Sound and The...
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