
Years before Austin Butler stole the hearts of music biopic lovers everywhere, 27-year-old country singer-songwriter Drake Milligan—then barely out of high school—portrayed Elvis Presley on CMT’s “Sun Records.”
Now that he’s seasoned with experience on “America’s Got Talent,” and has penned enough country music material to open for the likes of Luke Bryan and Lainey Wilson (the latter of whom he made his Tampa debut opening for less than half a year ago), Milligan is taking his new, sophomore studio album Tumbleweed on the road for a proper run of gigs.
Ahead of his stop in Sarasota this weekend, Milligan told Creative Loafing Tampa Bay about the album that changed everything for him. Read his full quote below.
It’s a tough question, but the album that really comes to mind first is Alan Jackson’s Under The Influence from ’99. I can remember growing up with that record, and I remember sitting there as a kid, just being obsessed with it — holding it, looking at the cover. It’s interesting, because Alan Jackson is one of the best songwriters in country music ever, but it’s a covers record. It’s all covers, and really, that record introduced me to so many different songwriters and artists. There’s a Merle Haggard song on there, there’s a Charley Pride song, there’s a Bob McDill song. And he made those songs just his own. Songs like “Pop A Top” on there, which was kind of a modern hit, was from Jim Ed Brown back in the day. Alan was able to take it and make it his own.
I’ve just always been obsessed with that record, and even now, during my own career, I kinda go back to that record because I think that’s proof of a great artist, because being able to take songs, as somebody like Alan, who I’m sure reveres this music so much, but also make them fresh in a way. That record still comes to mind — it’s been a part of my whole life. It introduced me to so much music, and it’s just a good country music record. I think it’s a good starting point for anybody, really. It’s so palatable to get all those songs, and you can kinda branch off and listen to all these different, original versions of the songs if you want to, and see how much they’ve changed. —Drake Milligan
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This article appears in Mar. 26 – Apr. 1.

