Patrick Chin Ting Chan, Credit: Photo via chintingchan/Soundcloud

The Contemporary Art Music Project (CAMP) wraps its 2024-25 season in March, and was supposed to kick it off with this gig where CAMP musicians will play work by Hong Kong-American composer Patrick Chin Ting Chan and late American experimental composer Earle Brown (Hurricane Helene had other plans, and this is the makeup date).

Chan utilizes Doepfer Musikelektronik Eurorack modular synthesizer in the work, and a recent performance of “Water Dust” included electroacoustics from the Koma Field Kit, minisynth sounds, plus guitar.

Brown, a John Gage collaborator who died at the age of 75 in 2002, was a product of Boston’s Schillinger House (now the Berklee College of Music) and is best known for his “December 1952” graphic score.

A press release from CAMP co-founder Eunmi Ko says the show “explores the interaction between music and visual arts, highlighting the dynamic relationship between these mediums.” A January salon performance and March’s big CAMPGround festival round things out.

There’s no cover to see Water Dust: World of Sound, Vision, and Movements on Wednesday, Dec., happening at the SVC Breezeway at University of South Florida in Tampa.