Anthony Shaffer’s Sleuth isn’t exactly realistic, but it’s not fantastical either: The play offers a conceivable confrontation between two gamesters, both of whom want the same woman, and both of whom are capable of almost incredible hi-jinks in her pursuit. And that’s precisely the sort of set that Scott Cooper gave us at American Stage: a manor house interior that was lovingly detailed while still looking like something out of an addled Disney movie. There was a sweeping staircase that was a mite too sweeping, overlarge windows that suggested ease of access for a lothario/burglar, and, most deceptively, a full-size painting of the wife in question — who never, in fact, appeared in the play. This was connotative set design, suggesting great wealth and great silliness all at the same time. And it was perfect for a play that was stylish and ultra-literate and a bit silly.
WE LOVE OUR READERS!
Since 1988, CL Tampa Bay has served as the free, independent voice of Tampa Bay, and we want to keep it that way.
Becoming a CL Tampa Bay Supporter for as little as $5 a month allows us to continue offering readers access to our coverage of local news, food, nightlife, events, and culture with no paywalls.
Scroll to read more News Feature articles
