Believing is art in My Name Is Asher Lev

Chaim Potok’s conflict between art and faith emerges poignantly at American Stage.

This Nothing’s really something

Much to praise in Jobsite Theater’s Bard redo, Much Ado About Nothing.

An Empty Plate at the Cafe du Grand Boeuf remains lacking until the final course.

Bob Devin Jones directs Studio@620’s eloquent, anguished production.

Suncoast AIDS Theatre Project’s A Normal Heart was amazing theater.

But other casting decisions cloud the impact of freeFall’s production.

A local playwright’s loving portrayal of three women in a decades-long friendship.

Insanity both political and personal in a new theater company’s strong debut.

An auspicious debut, with a riveting perfomance by Giles Davies.

An interview with Natalie Symons, whose play is now at New American Theater.

She’s making her mark as actor, director and playwright.