Tampa Museum of Art debuts expanded gallery spaces with new exhibition ‘Time for Change’

Barthélémy Toguo (Came roonian, b. 1967) Road to Exile , 2018 Wooden boat, cloth bundles, glass bottles, and plastic containers 120 x 60 x 45 inches Jorge M. Pérez Collection, Miami
c/o Tampa Museum of Art
Barthélémy Toguo (Came roonian, b. 1967)
Road to Exile , 2018
Wooden boat, cloth bundles, glass bottles, and plastic containers
120 x 60 x 45 inches
Jorge M. Pérez Collection, Miami
The Tampa Museum of Art will soon open the new exhibition “Time for Change: Art and Social Unrest in the Jorge M. Pérez Collection,” kicking off the museum’s debut of several expanded galleries.

“Time for Change: Art and Social Unrest in the Jorge M. Pérez Collection” comes from Miami’s contemporary art space El Espacio 23 and is on view from Nov. 10-March 12, 2023.

The exhibition aims to give viewers a glimpse into how artists explore conflict and contradiction in contemporary society and throughout history, reframing the past within the present.

The Tampa Museum of Art—located at 120 W Gasparilla Plaza in downtown Tampa—announced in 2021 that it would begin a $100 million renovation and expansion project. The opening of “Time for Change” now coincides with the completion of the museum’s renovations.
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Umar Rash
id
(American, b. 1976)
The Palace of Quilombos, Gonalves 1793
, 2015
Acrylic and ink on canvas
72 x 84 inches
Jorge M. Pérez Collection, Miami
© Umar Rashid
Umar Rash id (American, b. 1976)
The Palace of Quilombos, Gonalves 1793 , 2015
Acrylic and ink on canvas
72 x 84 inches
Jorge M. Pérez Collection, Miami
© Umar Rashid
Kara Walker (American, b. 1969)
Securing a Motherland Should Been Sufficient,
2016
Graphite Lumber marker on paper
104 x 108 ¾ x ¾ inches
Jorge M. Pérez Collection, Miami
Kara Walker (American, b. 1969)
Securing a Motherland Should Been Sufficient, 2016
Graphite Lumber marker on paper
104 x 108 ¾ x ¾ inches
Jorge M. Pérez Collection, Miami
Yinka Shonibare
CBE
(Bri
tish, b. 1962)
Venus de
Arles
, 2018
Unique Fiberglass sculpture, hand
painted with Dutch wax pattern, bespoke hand
-
colored globe and steel baseplate
54 ¼ x 24 x 24
inches
Jorge M. Pérez Collection, Miami. © Yinka
Shonibare
CBE. All Rights Reserved, DACS/ ARS, NY
2022
Yinka Shonibare CBE (Bri tish, b. 1962)
Venus de Arles , 2018
Unique Fiberglass sculpture, hand painted with Dutch wax pattern, bespoke hand - colored globe and steel baseplate
54 ¼ x 24 x 24 inches
Jorge M. Pérez Collection, Miami. © Yinka Shonibare CBE. All Rights Reserved, DACS/ ARS, NY 2022
Fernando Bryce (Peruvian, b. 1965)
To the Civilized
World,
2013
-
14
Ink on paper
Dimensions variable
Jorge M. Pérez Collection, Miami.
Image courtesy the artist and Barbara Thumm.
Fernando Bryce (Peruvian, b. 1965)
To the Civilized World, 2013 - 14
Ink on paper
Dimensions variable Jorge M. Pérez Collection, Miami.
Alfredo Jaar (Chilean, b. 1956)
Gold in the Morning
, 1985/2018
Suite of three lightboxes with color transparencies
48 ¼ x 97 inches
Jorge M. Pérez
Collection, Miami
Alfredo Jaar (Chilean, b. 1956)
Gold in the Morning
, 1985/2018
Suite of three lightboxes with color transparencies
48 ¼ x 97 inches
Jorge M. Pérez Collection, Miami
Camilo Restrepo (Columbian, b. 1973)
Rip Currents #2 (Burro),
2014
-
15
Ink, water
-
soluble wax pastel, tape, stickers,
newspaper clippings, glue and saliva on paper
93 ¾ x 58 inches
Jorge M. Pérez Collection, Miami
Camilo Restrepo (Columbian, b. 1973)
Rip Currents #2 (Burro), 2014 - 15
Ink, water - soluble wax pastel, tape, stickers, newspaper clippings, glue and saliva on paper
93 ¾ x 58 inches
Jorge M. Pérez Collection, Miami
Carlos Garaicoa (Cuban, b. 1967)
La
habitacíon de mi negatividad
, 2003
39 ink and pencil drawings on rice paper and toy
train installation
Dimensions variable
Jorge M. Pérez Collection, Miami
Carlos Garaicoa (Cuban, b. 1967)
La habitacíon de mi negatividad , 2003
39 ink and pencil drawings on rice paper and toy train installation
Dimensions variable
Jorge M. Pérez Collection, Miami
Christopher Myers (American, b. 1974)
How to Name a Famine, a Fire, a
Flood
, 2019
Appliqué fabric
96 x 240 inches
Jorge M. Pérez Collection, Miami
Christopher Myers (American, b. 1974)
How to Name a Famine, a Fire, a Flood , 2019
Appliqué fabric
96 x 240 inches
Jorge M. Pérez Collection, Miami
Edward Ruscha (American, b. 1937)
WEN OUT FOR
CIGRETS N NEVER CAME
BACK,
2017
Cast bronze
with hand applied patina
Diameter: 19 inches x 1 ½
inches
Jorge M. Pérez Collection, Miami
Edward Ruscha (American, b. 1937)
WEN OUT FOR CIGRETS N NEVER CAME BACK, 2017
Cast bronze with hand applied patina
Diameter: 19 inches x 1 ½ inches
Jorge M. Pérez Collection, Miami
Firelei Báez (Dominican, b. 1981)
Ciguapa Pantera,
2015
Acrylic and ink on paper
100 x 75 ¼ inches
Jorge M. Pérez Collection, Miami
Firelei Báez (Dominican, b. 1981)
Ciguapa Pantera, 2015
Acrylic and ink on paper
100 x 75 ¼ inches
Jorge M. Pérez Collection, Miami
José Carlos Martinat (Peruvian, b. 1974)
Orden
, 2016
Wall
fragment
63 x 47 inches
Jorge M. Pérez Collection, Miami
José Carlos Martinat (Peruvian, b. 1974)
Orden , 2016
Wall fragment
63 x 47 inches
Jorge M. Pérez Collection, Miami

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