Movie review: Denzel Washington in The Book of Eli — a faith-based action/adventure

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While the wasteland and its workings get a nuanced introduction, Carnegie is your basic small-town evil egomaniac with dreams of world domination. Any time you introduce your villain with a shot of him reading a biography of Mussolini, you've given up on subtlety. This shot and a Johnny Cash joke were the only times I laughed during this deeply serious movie. You can see how this plays out, right? Eli's protecting his book, heading West because of a vision from some mysterious voice. (Who could that be?) Carnegie remembers the book's power from before the war, but doesn't understand its true message and he wants to pervert its words to sway the minds of his fellow men. Mila Kunis gets swept up in the middle of it and manages to stay way too clean and sexy for someone who's lived her whole life after the apocalypse. As the plucky sidekick Kunis works OK, although she looks like her scarf and tight designer jeans were chosen by a stylist to complement her saucy sunglasses so she'd be just gorgeous in the photo shoot for Oakley. She doesn't seem to be living in the same wasteland as everyone else.


Despite having its hero, plot and finale firmly centered around questions of faith and divine purpose, The Book of Eli isn't as heavy-handed as one might fear or hope (depending on your theological preferences). The fact is, the book and its message work just fine as plot devices. Replace The Book with nuclear launch codes or magic beans, and 90 percent of the story would still work just fine as is. The highlights are Eli being a cool-as-hell bad-ass in a crisis and doing what it takes to survive while still maintaining his moral compass. There's blood aplenty, knife and gun fights, and a prancing mad man of a villain — all of which look pretty impressive. None of it's transcendent or awesome, but a lot of it is pretty neat.


All we have left to put this movie above other action fare is that twist/reveal/revelation at the end. I'd have to watch the movie again from the beginning to see if it really made sense, but watching it just once, I don't think it does, even a little bit. I mean, I understand it, but I don't buy it. Then again, that's the thing about movies where religion and the divine play such a central role: Faith heals all plot holes. So yeah, if it's because “God did it,” then sure, I guess the end does make sense, although that doesn't mean it satisfies. I watched The Book of Eli and enjoyed most of it, but the ending came close to spoiling it for me. I can see some people really liking finale, but I find myself ultimately blind to its charms.


Denzel Washington not only stars in, but is also an Executive Producer of, the new Hughes Brothers film, The Book of Eli. As such, I assume he had a guiding role in its creation. This post-apocalyptic story is being marketed as a brooding and violent action flick, and it definitely delivers some intense and visually spellbinding fight sequences. There's also the central mystery of that titular book Denzel's character Eli is toting around, and what's so important about it that Gary Oldman's nefarious character Carnegie would order his henchmen to kill for it. You can get all that from the trailer, but like any good trailer it hides some of the movie's true depths and intentions behind an alluring promise of drama and excitement. In fact, this movie has two big revelations to offer. One involves the plot itself, and I'll give no hints about the secrets revealed with the movie's finale (although I have a comment about them at the end of this review). The other, which is where I imagine Denzel Washington's devotion to the project came from, is the fact that this is very much a religious film with a central message about faith.

A very nasty world war ripped a hole in the sky 30 years before the movie begins, resulting in the Sun scorching much of the Earth, blinding lots of people and requiring everyone to wear sunglasses when they go outside. The Hughes Bros. show us a convincingly bleak apocalyptic wasteland, and the early scenes of Eli on his own, doing what it takes to survive with a combination of quiet competence and desperation (like hunting cats or scrounging for new boots from old bodies). There's a lot of detail to how the world works, and most of it comes across through subtle inference rather than blatant exposition. One of those details is that books are in very short supply, especially Bibles, which were burned after the war because some people blamed them for bringing about the whole mess.

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