The Doors, by local theater artists Jack Holloway and Joe Winskye, is a not very interesting play on a very interesting subject: the American paranoia about terrorists since 9/11. If a play could be judged solely by its theme, this Hat Trick Theatre production would win lots of prizes for timeliness and good sense. But satisfying plays provide more: suspenseful action, three-dimensional characters, and inventive dialogue, for starters. Even more to the point, successful plays keep sending new information our way every few minutes: new conflicts, dilemmas, encounters, ideas.
This article appears in Jul 15-21, 2009.
