Back in the very early '90s, I caught a documentary on cable about America’s then-nascent culture of candid video. (Don’t hold me to it, but I believe it was an episode of HBO’s America Undercover series titled “Surveillance: No Place to Hide.”) It was full of manipulative, button-pushy emotional swings typical of programs made by folks who don’t want to come right out and tell you that THE WORLD IS GOING TO SHIT, PEOPLE. In the interest of journalistic integrity, they balance the doomsaying with a few beneficial elements, and let the music and the tone do the talking.
So you got, like, 45 amusing seconds of a naked guy caught locking himself out of his apartment by the building’s security camera, and 45 harrowing minutes of hockey-dad fights and gay-bashing and dash-cam footage of state troopers getting shot and stuffed into the trunks of the stolen sedans they pulled over for burned-out blinker bulbs. I vividly remember a segment in which a group of troglodytic kids steal a tourist’s camcorder and tape themselves gleefully beating said tourist unconscious. It might’ve been the first time in history a video made by a group of criminals of their own crime was used as evidence in their prosecution.
This article appears in Mar 22-28, 2012.


