In my opinion, the more a musician or band filters their musical vibes into the crowd through passionate performance, the more the crowd becomes energized. This inevitably creates a harmonic connection between a group of people sharing a melodic moment in time.
Ive seen Tom Petty several times in concert and would see him again because he is a master when it comes to conducting the musical energy of a show. Petty can make each person, even those up in the nosebleed seats, feel like he is singing especially for them.
During a July 2008 performance at the St. Pete Times Forum when the musical rush was at an absolute peak as the crowd sang every lyric with swaying arms, guitar solos electrified the stadium and spotlights danced across the room right in that second, Petty raised his arms and said, I thought to myself, what if for one moment everything was all right? Then he paused briefly, letting the crowd go wild in agreement. I thought, what if for just-one-moment, EVERYTHING, was ALL RIGHT?!
And the 20,000-seat venue erupted with claps, whistles and howls because everyone felt a harmonic connection for that one moment, or maybe even that entire show, everything was going to be all right.
I think a lot of people listen to music when they need a break from lifes pressures. Many people release the stress of a typical work day by getting in their cars and blaring a favorite CD for the commute home. When left broken-hearted, most of us crave the relief that comes from a song validating our feelings.
So, experiencing music in a live performance is the same as those sporadic musical releases, only intensified.
Henry Wadsworth Longfellow wrote, And the night shall be filled with music/ And the cares that infest the day/ Shall fold their tents like the Arabs/ And as silently steal away. The quote sums up exactly what experience when enjoying live music.
When Im at a concert and I lose myself to the lyrics or instrumentals, when I let the music dance from my head to my toes, I am able to completely forget my worries and live in the present moment.
This article appears in Jan 20-26, 2010.
